I enjoy making teapots. It is one-part throwing on the wheel, one-part conceptualizing the final product and one-part assembling the final product.   It blends the skills I have as a potter with a desire to use sculptural techniques to provide balance and form. The end result should be a teapot that is well-balanced in one's hand, pours effortlessly and is cherished by its user as a beautiful object.  People ask me how much time it takes to make a teapot.  That is such a difficult question to answer.  For me, I balance a "day-job", family time, house chores and a few other indulgences with what I do as a clay artist.  Therefore, there are few periods that one will find me in the studio on two or more consecutive days. Over the years I have developed a rhythm that works well for me.  The elapsed time between making, glazing and firing can be 60-days and sometimes longer.  One day I may just make teapot bodies and keep them on the wheel head bat...

Pictures are from when the kiln was cool enough to be opened.  Kiln Shed- Closed Kiln Shed Opened Kiln Door Opened and Contents Revealed Top Shelf Cone Pack - Cone 9 Down Bottom Shelf Cone Pack - Cone 9 Down Top Shelf - Right Side Persimmon Blue Teapots and Vase.  More Plum than Blue.  Teapot in back is Shino.  Bottles are matte white. Top Shelf - Left Side Two Bowls in Front are Persimmon Blue.  Matcha Bowls and whisk holders in the back are Shino Second Shelf - Right Side Two small bowls are test bowls.  The pink bowl is the original red glaze that came out too pink in Oxidation, electric firing..  The vivid red bowl is the the same glaze adjusted.  Teapot in the middle is Tenmoku and in the rear Persimmon Blue.  Mugs are Persimmon Blue. Second Level - Left Shelf Front bowls are Shino.  Rear bowls are Persimmon Blue Bottom Shelf - Right side All items on this shelf are Willie Hel...